GYMN-L Digest - 4 May 1996 - Special issue
There
are 2 messages totalling 908 lines in this issue.
Topics in this
special issue:
1. Gymn's
FAQ (2 of 4)
2. Gymn's FAQ (3
of 4)
----------------------------------------------------------------------
Date: Sat, 4 May 1996 17:02:47
-0700
From: ***@NETCOM.COM
Subject:
Gymn's FAQ (2 of 4)
[B.2]
What is Olympic Order?
A defined order in which the gymnasts
usually compete their
events.
Here they are, with their common abbreviations in
parentheses:
Men
Women
--------------------------------------------
Floor
Exercise (FX) Vault
(V)
Pommel Horse (PH)
Uneven Bars (UB)
Still Rings (SR or R) Balance Beam (B)
Vault
(VT)
Floor Exercise (FX)
Parallel Bars (PB)
High Bar (HB)
[B.3] How does a gymnast know when to start
his/her
routine?
The Secretary will signal the gymnast -- usually
with a
green flag, wave of the hand, or light -- when the judges
are
ready for the gymnast to begin his/her routine. The
gymnast returns this signal by
presenting him/herself to the
judges by raising one or both arms. At small meets, a judge
will often
just raise his/her hand or nod to the gymnast as
a signal to begin.
[B.4] What is podium training?
At most
international meets, the competition apparatus is
raised off the floor and
set on podiums. Thus, when the
gymnasts
are practicing on this raised competition
equipment, it's called podium
training. Podium training is
usually
well defined with each team assigned to a time slot,
with organizers
leading the gymnasts from event to event.
[B.5] What are compulsories?
Compulsories
are routines that have been defined before an
event, that every gymnast
must perform at the meet. The
same
compulsory is used for four years and changes after
every Olympics. Compulsories will be dropped
internationally
after the 1996 Olympics. Most
countries use
compulsories for their younger kids, though, and so
compulsories
will certainly continue to exist in the
gymnastics world in some
fashion.
[B.6] How do they
pick the Olympic/Worlds teams?
Each country is different. Usually, the teams are either
hand
picked or selected through competition results (or a
bit of both). In the US, the selection procedure
has
historically been to use a combination of scores at national
championships
and an Olympic/World Trials; the procedure is
determined by a committee and
then the procedures must be
submitted to the USOC for approval before they
are
finalized.
[B.7]
What are the upcoming competitions?
How do I get
tickets?
Check out the Gym Calendar for full
details on competitions:
ftp://ftp.cac.psu.edu/pub/Gymn/Calendar
You
can call USAG for competition and ticket information
at
(317-237-5050).
[C.1] What
is the Code of Points?
The Code of Points is the criteria for each
event which has
been set out by the Federation Internationale de
Gymnastique
(FIG). These rules
cover all aspects of a gymnast's
performance. The Code assigns values of difficulty
ranging
from A to E, and demonstrates the requirements of each move
with
illustrations (such as the angle of handstand that a
gymnast must reach on
bars). The Code also has rules
for
how one qualifies to become a judge, the various categories
of
judges, seating arrangements for judges at competitions,
and the specific
functions of the judges. The Code
also
requires "norms of conduct" for both gymnasts and
coaches.
[C.2] How are
gymnasts scored?
Compulsory Exercises: Compulsory exercises begin with a
start
value of 10 points, with deductions taken for
any errors or falls which may
occur during the routine.
Optional Exercises (Women): With the exception of vault,
where
each vault is assigned a value, all women's routines
are scored from 9.40
points. A gymnast can earn an
additional
0.6 points by showing special combinations,
connections, and/or extra D- or
E-rated elements, for a
maximum start value of 10.
Optional
Exercises (Men): Men's routines
start from a value
of 9.0.
Since a D-element is required, performing one will
automatically
raise the start value to 9.1. If a
D-element
is not performed, there is a 0.1 deduction (for a start
value
of 8.9). The extra 1.0 point can be
earned by
performing E-rated elements and special connections.
[C.3] Are the gymnasts required to do any
specific moves?
Some of the apparatus have required elements which
will
incur deductions if not completed in the optional routine.
Here
are some of the requirements:
Beam:
full turn on 1 leg
gymnastic-acrobatic series
one
jump with great amplitude
Pommels: scissors
High
Bar: dorsal
grip
Rings:
swing to handstand
press to handstand
Floor (W): gymnastic-acrobatic
series
one tumbling pass with two saltos
Floor (M): one-leg or one-arm
balance
minimum of 2 gymnastic-acrobatic series
[C.4] What is a start value? What is bonus?
Women:
All
routines start from a 9.40 (except for vault).
Value Parts (A=0.2,
B=0.4, C=0.6, D=0.8) 3.00 points
Combination
(construction of the exercise)
2.00 points
Execution
4.40 points
Bonus Points
0.60 points
-----------
10.00
points
If a gymnast attempts to earn bonus points by performing
an
extra D- or E-rated element but falls or has a break worth
0.2 or
more, then she does not receive the bonus points.
Men:
Except
for vault, all men's routines are scored from 9.0.
The gymnast can earn
bonus points by performing extra D- and
E-rated elements. Each extra D element is worth 0.1;
each
extra E element is worth 0.2 each for a total of 1.0:
Difficulty
(A=0.1, B=0.2, C=0.4, D=0.6) 2.40
points
Special Requirements (3 per event @ 0.4 each) 1.20 points
Presentation
5.40 points
Bonus Points
1.00 points
Men's vaults have the following ratings
A=8.6
C=9.2
E=9.8
B=8.9 D=9.5
and the gymnast can
receive up to 0.2 bonus for distance
(0.1 for over 3.5 meters; 0.2 for over
4.0 meters).
[C.5] What
deductions do judges take?
The FIG has set out a Table for General
Faults. Small
faults receive up
to 0.15 points' deduction; medium faults
receive up to 0.3 points'
deduction; large faults result in
deductions worth more than 0.3 points and
may lead to an
invalid exercise.
Following are some of the more common
faults seen (and their
deductions, for women's gymnastics):
Slight hop upon dismount
0.05 points
Poor foot form
0.10 points
One step upon dismount
0.10 points
Leg separation (each time)
0.15 points
Insufficient split position (when required) 0.15 points
Bent arms in
support/bent knees
0.20 points
Insufficient height in leaps
0.20 points
Two steps upon dismount
0.20 points
Lack of diversified composition
0.20 points
Insufficient use of entire apparatus
0.20 points
Grasping apparatus to avoid falling
0.30 points
Three steps upon dismount
0.30 points
Fall on one or both hands, knees or hips 0.50 points
Deductions
taken in men's gymnastics are 0.1 for a small
fault, 0.2 for a medium
fault, and 0.4 for a large fault,
along with some specific deductions
(i.e., 0.5 for a fall).
[C.6]
What is Competition 1A, etc.?
Competition 1A is also known as
the compulsory exercises.
Every gymnast performs the same routines on each
apparatus.
These routines are created by various member nations of the
FIG
and test the gymnast's mastery of basic elements and
combinations. The compulsory exercises are
usually
performed only at Olympics, Worlds or national
championships. The FIG has decided to discontinue
this
portion of the competition after the 1996 Olympics.
Competition
1B is also known as the team optionals.
This
portion of the competition is usually held only during a
Worlds
or Olympics. The gymnasts are
allowed to show their
own routines on each apparatus.
Competition
II is also called the all-around.
The gymnasts
begin from a score of zero, and the gymnast with the
highest
score at the end of the competition becomes the all-around
champion. There is usually a limit on the number
of
gymnasts from a country that may compete in the all-around
competition.
Competition
III is also called the event finals.
The best 8
gymnasts on each event (no more than 2 gymnasts per
country
are allowed in each final).
The gymnasts begin from a score
of zero, and the highest scorer
wins. The vault final is
the
exception: each gymnast performs 2
different vaults,
and the scores are averaged to arrive at the final
score.
[C.7] Why is the
Code revised every four years?
The FIG revises the Code every 4 years
for several reasons.
One, gymnasts and coaches from the leading countries
are
able to meet the requirements of a new Code fairly easily
after 4
years and would receive excessively high scores if
the Code were not
adjusted to meet the level of the
gymnasts. Two, by regularly changing the
requirements, the
FIG tries to ensure that the sport will continue to
evolve.
[C.8] What is the
highest rank for a judge, and how do they
get there?
The highest
judge's ranking is the FIG Brevet.
A beginning
judge will attend workshops run by his federation and
start
by judging at meets where beginning gymnasts compete. As a
judge passes each test, he can
move up and receive
certification to judge at higher level meets.
[C.9] So-and-so was over/underscored. Why?
Because gymnastics uses
subjective judging, the results of a
competition are sometimes disputed by
the fans, federations,
and coaches.
Overscoring can be the result of home
advantage, a gymnast's
popularity, judging bias, and other
factors. These same factors can likewise
contribute to
underscoring.
[C.10] Do gymnasts submit a routine ahead of
time to the
judges?
A gymnast does not submit his routine in
advance. The only
exception is
women's optional vault, where the gymnasts have
to post the number of the
vault they plan to perform.
If a gymnast has invented a new element
and would like to
receive possible bonus points for it in a meet, s/he
can
submit the skill to the FIG beforehand. It is evaluated and
rated by the
FIG. In order for the gymnast to
have the
element named after him/her, the element must be performed
successfully.
Judges
generally see a gymnast's routine prior to
competition, however, because
the judges attend podium
training.
This is beneficial because a judge can make note
of unusual
combinations (or routines that lack required
elements, etc.) and be certain
to evaluate the routine
correctly during competition.
[C.11] How do judges remember what a gymnast
has done when
he scores a routine?
The FIG has created a shorthand
system so the judges can
easily "write down" a routine while it
is being performed.
>From there, the judge can quickly review and score
a
routine.
[D.0] About
this section.
This section gives a VERY BRIEF guide to help a new
gymnastics
fan understand some of what they might see on TV.
We would like to assemble
a more technically detailed
glossary of elements. Please note that skill descriptions
are
merely notes on how to recognize the skill, NOT on how
to perform the
skill!
[D.1] How are the
moves named?
Some elements are named after the gymnast who first
performed
the element, while others are merely descriptive
terms of the element
performed. Examples of the
former
include the Tsukahara vault, the Comaneci salto and the
Korbut
flic; examples of the latter include the aerial
cartwheel, the double back
somersault and the handstand.
[D.2] Basics
Here are some of the
most common terms used in naming
tricks:
Tuck: the gymnast brings his knees to his
chest; the legs
are bent.
Pike: the gymnast bends at the hips and brings
his legs to
his chest while keeping the legs straight.
Layout: the gymnast keeps his body completely
stretched.
Arch: the legs
are kept straight and the back (spine) is
overextended so that the body
position takes on a convex
shape.
Split: one leg is extended straight in front of
the body;
the other is extended straight behind the body, forming a
180-degree
angle.
Straddle: similar
to a split, with the legs extended on
either side of the body (as opposed
to front/back).
Flip: a
somersault without the use of the hands.
Also
called a salto.
Twist: body rotation round the lengthwise axis,
as opposed
to a salto.
When speaking of tumbling skills,
"flip" refers to rotation
around the hip-to-hip axis of the body,
and a "twist" refers
to rotation around the head-to-toe
axis. Rotation around
the
front-to-back axis is unusual and referred to as a "side
somi." Beginning and ending positions are used
to determine
the number of twists.
Round-off: a cartwheel with both feet landing at
the same
time. Used by gymnasts
to accelerate a tumbling pass.
Handspring: also called a flic-flac or a
flip-flop. The
gymnast springs
off the hands, using a strong push from the
shoulders. This move can be performed either
forwards or
backwards, and is usually used in tumbling passes.
[D.3] Vault
Women's vault is 4 feet
high, 5 feet long and 14 inches
wide.
Men's vault is also 14 inches wide, but is 5 feet 3
inches long and
4 feet 6 inches high. Women
vault
widthwise, while the men vault lengthwise. Both men and
women run down a
carpeted runway which is 80 feet long and
jump onto a springboard in order
to propel themselves onto
and over the horse. The gymnast leaves the board from
both
feet and briefly touches the horse with both hands (this is
called
the preflight). (Men are allowed to
perform one-arm
vaults; women are not.) He then pushes off the horse and
performs
flips and/or twists in the air before landing. As
this event lasts only seconds,
the goal is to execute the
vault in one fluid motion and land "like a
dart" with no
extra movements.
Skills to look for:
-
Cuervo: handspring onto the horse,
1/2 twist off to
immediate back somersault.
- Piked front
1/2: handspring onto the horse,
piked front
somersault off with 1/2 twist to land.
-
Tsukahara: 1/4 to 1/2 twist onto
the horse, 1/4 twist off
to immediate back somersault.
-
Yurchenko: round-off onto the
springboard and flip flop
back onto the horse ("Yurchenko" refers
to the entry.)
------------------------------
Date: Sat, 4 May 1996 17:03:13
-0700
From: ***@NETCOM.COM
Subject:
Gymn's FAQ (3 of 4)
[D.4]
Uneven Bars and High Bar
Uneven Bars: The upper bar is 7.6 feet (2.3 m) high,
the
lower bar is 5 feet (1.5 m) high, and the bars are 8 feet
long. In FIG-sanctioned competitions, the bars
must be no
more than 150cm apart.
A gymnast moves from one bar to the
other using a variety of skills
(such as kips, swings and
saltos) in a fluid motion and with good
form. Each exercise
needs to
have at least 10 value parts and at least 3 bar
changes. The dismounts contain saltos and/or
twists and,
like all dismounts, should be landed cleanly. Grip changes
add difficulty to
elements. A gymnast is determined
to be
"facing" in a specific direction by the gymnast's
direction
in the hang position.
High Bar: the bar is 8.5 feet (2.5 m) high and 8
feet (2.44
m) long. Like
women's uneven bars, high bar consists of
continuous swinging moves,
changes in direction and grips,
and an exciting (and solid) dismount.
Skills
to look for:
- Cast to handstand:
a gymnast in a front support swings
his legs back and out from the
bar, lifting his body to
straighten at the shoulders, finishing in a
handstand.
Usually preceded by a kip, a move gymnasts use to go from a
hang
to a front support (hips by hands on the bar, gymnast
facing up).
-
Free hip: from a handstand on the
bar, the gymnast swings
down and backwards with straight arms and a
slightly piked
body (hips are close to the bar), the momentum causing
the
gymnast to circle the bar.
The gymnast "opens" back up to a
handstand position.
-
Gaylord: release from a front swing
to 1.5 forward
somersaults over the bar. A Gaylord II is released from a
back
swing, begins with an immediate half twist (so that the
gymnast is facing
"forward"), and then proceeds with the 1.5
forward
somersault.
- Giant: a
360-degree swing around the bar performed with
straight arms and body
position.
- Gienger:
release to back somersault and 1/2 twist in pike
position to
recatch. This element can also be
performed in
a tuck or layout position.
- Jaeger: release from a front giant to a front
somersault
to recatch on the same side of the bar. Usually done
straddled.
-
Kovacs: release to 1.5 back
somersault over the bar to
recatch.
Usually a very dynamic move characterized by the
opening of the
gymnast out of the tucked position.
- Pak salto: from HB to LB, backward swing between
the bars
with a straight body flip to recatch LB.
- Stalder: 360-degree swing around the bar in a
straddle
pike position.
- Tkachev: also called a reverse hecht. Release to front
somersault
traveling backward over the bar in a
straddle/pike position (sometimes pike
or layout), then
recatching the bar.
[D.5] Balance Beam
The beam is 4 feet
high (1.2m), 16 feet 3 inches (4.9m) long
and 4 inches (10cm) wide. Routines consist of a combination
of
dance moves, flips, leaps, balances and turns. The
gymnast strives to give the
impression that she is
performing on a much wider surface. A routine must last at
least 70
seconds, but not longer than 90 seconds.
Skills to look for:
-
Omelianchik: back dive with 3/4
twist to handstand. More
commonly
seen with a 1/4 twist.
- Flip flop, layout step-out: flip flops and layouts differ
on
beam from "normal" flight skills because of the nature of
the
event. Flip flops tend to have
almost no flight in the
second half of the skill, and most layouts are not
"true"
layouts because they do not reach the gymnast's
shoulder
height. Some layouts
(those performed from a 2-foot
take-off) can be considered "true"
layouts and are rated as
D elements.
- Korbut flic: back dive to hands and swing down to
finish
sitting on B in a straddle position.
- Punch front: front somersault from a 2-foot
takeoff.
- Rulfova: Korbut
flic with a full twist.
[D.6]
Dance
Many gymnasts study ballet and other types of dance
to
improve their body position and movement. Gymnasts who have
studied dance
usually display better form and fluidity
during their routines than
gymnasts with a weaker dance
background. Dance is a key aspect of balance beam
and
women's floor exercise.
Skills to look for:
-
Popa: a full-twisting straddle
jump.
- Switch leap:
gymnast initiates the leap with a leg raised
in front but
"switches" the position in the air, with that
leg moving to the
back of the split.
- Sheep jump, etc: all these leaps involve the gymnast
throwing
her head back and thus not being able to spot the
landing on beam. For a sheep jump, both legs and thrown
back
bent (and ultimately touch the head).
Ring leap: one
leg forward and straight, one leg back and bent,
which must
be at head height.
Yang Bo: like ring leap, but with both
legs straight.
[D.7] Tumbling
The floor mat is 40
feet (12m) square. Since both
gymnastic
and acrobatic skills are required on some events, tumbling
is
a major part of the sport. By
springing from one's hands
or feet, the best gymnasts launch themselves
into the air
and perform multiple saltos and/or twists before landing.
Currently,
front tumbling is popular because the Code has
given it a high value. Front tumbling is more difficult
than
back tumbling, and was less common until the Code
started encouraging
gymnasts to do it. The most
popular
tumbling passes tend to be "bounce back" passes which
end
with the gymnast performing an immediate punch front to
reverse
momentum and sometimes even tumbling back in the
other direction. Men's floor exercises must last at
least
50 seconds and not more than 70 seconds.
For the
women, the routine must last at least 70 seconds and
not
more than 90 seconds.
Skills to look for:
-
Full-in: double somersault with a
full twist in the first
somersault.
A full-out has the twist on the second
somersault (coming
"out" of the skill) and a half-in
half-out is, as it sounds, with
the twist split between both
somersaults.
- Rudi: 1.5 twisting flip in layout position
from a front
take-off.
- Triple twist.
- Round-off, flip
flop...
- Double back/double layout
[D.8] Pommel Horse
The
pommel horse is 14 inches wide, 4 feet high (1.09 m) and
5 feet 4 inches
(1.62 m) long. There a pair of
rigid
handles in the center of the horse which are about 17 inches
(43
cm) apart. These handles are called
the pommels. The
horse is
covered either with leather or a synthetic fabric.
Since only the hands are
allowed to touch the horse,
exceptional strength, balance and endurance are
required for
this event.
Elements are performed on both the horse itself
and the pommels,
using the entire length of the horse.
The
legs should be straight and the toes pointed. The top
gymnasts usually precede
their dismounts by performing
handstands with twisting movements.
Skills
to look for:
- Flairs:
with alternating hand support, the legs are
straight and straddled and
circle the body.
- Scissors:
sideways swinging of the body with straight
legs and arms,
alternating hand support and legs knifing up
and down on the side of the
horse.
[D.9] Rings
Two
rings are used; each one is suspended from a bar which
is 18 feet (5.48m)
high. The rings are 8 inches in
diameter
and are attached by 2 feet 3 inch (68.6cm) straps to wire
cables
almost 18 inches (45.7cm) apart.
The rings are 8.5
feet (2.51m) off the mat. This event is also referred to as
the
"still rings" because the gymnast's goal is to keep the
rings
from swinging as much as possible.
Both circling and
strength moves are performed. When performing a strength
move, the
gymnast is required to hold the position for at
least two seconds to
demonstrate mastery of the skill.
Skills to look for:
- Iron
cross: arms straight and held out
horizontally,
with the body in a vertical position.
-
Maltese: Resembles a horizontal
cross, with the arms at
the side of and closer to the body.
-
L-cross: Iron cross, but with 90-degree
bend at hips and
straight legs.
- Planche: handstand with body parallel to the
floor. This
is common on many
events, actually, including parallel bars,
floor exercise (men), and
balance beam.
[D.10] Parallel Bars
The bars are 11.5 feet
(3.4 m) long and 5 feet 7 inches (1.7
m) high. The width of the bars is adjustable from
16 to 20
inches. A routine
combines swinging moves, strength
elements and flight elements, performed
both above and below
the bars.
Some gymnasts perform moves on the outside of the
bars, as
well. Like other routines, flow and
rhythm are
necessary for a good score.
Skills to look for:
-
Back toss: from handstand, backward
swing with brief hand
release (while arms circle back) to recatch in
handstand.
- Diamidov:
from handstand, backward swing finishing with
360-degree turn on 1
arm to return to handstand.
- Healy: from handstand, forward swing beginning
with 360-
degree turn on 1 arm to return to handstand.
-
Stutz: from handstand, forward
swing and let go of the
bar, perform a half-turn in the air and finish in
a
handstand.
Peach
basket: a piked swing underneath
the bars to gain
momentum from which the gymnast opens and releases to
"pop"
above the bars.
[E.1] How did gymnastics begin?
The
earliest evidence of gymnastics can be found on frescoes
from the Minoan
civilization (2700-1400 BC), which depict
acrobats leaping over the horns
of a bull.
"Gymnastics" is derived from the Greek word
"gumnos" (naked)
and, while gymnastics was never included in the
ancient
Olympic Games, it was regarded as training for other sports,
such
as wrestling and athletics. When
the Games were
abolished in 393 AD, there was a decline in the
participation
of many sports, including gymnastics.
For
several centuries, therefore, the sport was practiced
mainly
by acrobats performing their skills in traveling circuses
and
for royalty.
In the 18th century, philosophers began to stress
the
importance of physical exercise, but it was not until
Frederic
Louis Jahn recognized the national importance of
gymnastics and turned it
into a means of the German
patriotic feeling that gymnastics became popular
throughout
Europe. Jahn, called
the "father of gymnastics," invented
various apparatus and
exercises, wrote a book called "Die
Deutsche Turnkunst" and
developed Turner (gymnastic)
societies in Germany. By the late 1800's many other
countries
had formed their own gymnastics societies, each of
which was organized on a
national level. Nicolas J.
Cuperus,
president of the Belgian Gymnastics Federation,
invited delegates from
several European gymnastics unions to
a meeting held in conjunction with
the Belgian gymnastics
festival in 1881, and thus was born the European
Gymnastics
Federation, or FEG (renamed the Federation Internationale
de
Gymnastique ("FIG") in 1921). Beginning in 1896 the FEG met
every
year or two, each time admitting more countries as
members of the
Federation.
The early competitions featured both gymnastics
exercises
(on pommel horse, rings, parallel and high bars, for
example)
and athletic exercises (running, high jump, weight
lifting and pole
vaulting), and were held in outdoor arenas.
The athletic events were
abolished at the 1936 Olympic
Games, and were used for the last time at the
1950 World
Championships.
Women began performing in gymnastics
societies in the late
1800's.
The first international festival which included
female participation
was held in Luxembourg in 1909, and
exercises included rhythmic, balletic
and choreographic
routines. The
Amsterdam Olympics of 1928 featured the first
women's gymnastics
competition; women competed at the World
Championships for the first time
at the 1934 Budapest
Worlds.
[E.2] Who was the first to...?
Being
the first to execute a gymnastics skill in
international competition is an
accomplishment highly
regarded in the sport. Moves are often named after the
gymnast
who first performs them. Here is
our list of "who
was the first to...?". Our main source of reference for
this
section is the book "Flickflack" (Andreas Gotze and
Hans-Jurgen
Zeume, Sportverlag Berlin, GDR, 1986)
Other
sources include videos, "International Gymnast"
magazine, and first-hand
knowledge:
Women
=====
Vault:
- Tsukahara
Ludmila Turischeva
(URS), '74 Worlds
- Full twist
on, full twist off
Olga Korbut (URS), '74 Worlds
-
Full-twisting tucked Tsukahara
Nelli Kim (URS), '76
Olympics
- Tucked front
Marta Egervari (HUN),
Maria Filatova (URS),
'76 Olympics
- Layout Tsukahara
Maria Filatova &
Natalia Shaposhnikova (URS),
'77 World Cup
- Full-twisting layout Tsukahara
Natalia Shaposhnikova
(URS), '78 Worlds
- Tucked
front with 1/2 twist
Christa Canary (USA),
'78 Worlds
- Cuervo
Christa Canary (USA),
'79 Worlds
- Layout Cuervo
Lan Sang (CHN), '96
American Cup
- Tucked double
front
Choe
Jong Sil (PRK), '80 Olympics
-
Full twist on, front tuck off
Elena Davydova (URS),
'80 Olympics
- Layout
Yurchenko
Natalia Yurchenko (URS), '82 World Cup
- Full-twisting layout Yurchenko
Natalia Yurchenko
(URS), '82 World Cup
-
1.5-twisting layout Yurchenko
Elena Shushunova
(URS), '84 Olomouc
-
Double-twisting layout Yurchenko
Elena Gurova (URS),
'84 DTB Cup
- Yurchenko on, 1/2
twist to immediate layout front off
Snejana Hristakieva (BUL),
'92 Olympics
- Layout
front
Irina
Evdokimova (KAZ), '93 Worlds
-
1/4 on, 1/4 off to layout front salto
Jaycie Phelps (USA),
'94 Dortmund Worlds
Uneven Bars:
MOUNTS:
- Front salto over LB to sit on LB
Marta Egervari &
Krisztina Medveczky (HUN), '74 Worlds
- Jump to clear hip on HB to handstand
with 1/2 turn
Julianne McNamara (USA), '81 Worlds
- Round-off, Arabian over LB to brief sit
on LB
Michelle Goodwin (USA), '81 Worlds
- Round-off, tucked back somersault over
LB to recatch LB
Birgit Senff (GDR), '84 Olomouc
DISMOUNTS:
- Toe on, 1/2 twist to tucked back
Nadia Comaneci (ROM),
'75 Europeans
- Tucked double
back
Nadia
Chatarova (BUL), '76 Olympics
-
Hecht to immediate full-twisting tucked back
Natalia Tereschenko
(URS), '78 American Cup
-
Hecht, 1/2 twist to immediate tucked front
Ma Yanhong (CHN), '79
Worlds
- Double twisting
flyaway
Kathy Johnson (USA), '81 Worlds
- Tucked full-in
Maiko Morio (JPN), '83
Worlds
- Double Layout
Diana Dudeva (BUL),
'87 Worlds
- Tucked double
front
Lacramioara Filip (ROM), Sarah Mercer (GBR),
'89 Worlds
- Tucked full-out
Oksana Chusovitina
(URS), '91 Worlds
- Layout
full-out
Elena Piskun (BLR), '96 Worlds
- Tucked full-in full-out
Oksana Fabrichnova
(RUS), '93 Worlds
ELEMENTS:
- FF from HB to recatch HB (Korbut)
Olga Korbut (URS), '72
Olympics
- Deltchev
Natalia Shaposhnikova
(URS), '77 World Cup
- Giant
swing
Natalia Shaposhnikova (URS), '77 World Cup
- Full-twisting Korbut
Elena Mukhina (URS),
'77 World Cup
- Back stalder to
handstand with full turn in handstand
Marcia Frederick
(USA), '78 Worlds
-
Tkachev
Elena Davydova (URS), '80 Olympics
- Tkachev to immediate Deltchev
Natalia Yurchenko (URS), '83
Worlds
- Underswing from HB
with 1.5 twists and flight over LB to
hand on LB (Strong)
Lori Strong (CAN), '89
Worlds
- Swing forward on HB
(facing out), counter salto forward
to recatch in reverse grip
(Kim)
Kim Gwang Suk (PRK), '89 Worlds
- Def (full-twisting Gienger)
Snejana Hristakieva
(BUL), '91 Junior Europeans
-
Gaylord I Salto
Mo Huilan (CHN), '94
Brisbane Worlds
Balance Beam:
MOUNTS:
- Press to handstand
Larissa Latynina &
Tamara Manina (URS), '62 Worlds
-
Front tuck
Stella Zacharova (URS), '79 World Cup
- RO, FF
Maxi Gnauck (GDR), '81
Europeans
- RO, full-twisting
tucked back
Kelly Garrison (USA), '85 Worlds
- RO, layout
Natalia Yurchenko
(URS), '85 Worlds
- RO,
full-twisting FF
Patricia Luconi (ITA), '87 Worlds
- Jump to 1-armed handstand
Janine Rankin (CAN),
'87 Worlds
- Front handspring
immediate tucked front
Anastasia Dzyundzyak
(UZB), '94 Asian Games
DISMOUNTS:
- Cartwheel, tucked back salto
Vera Caslvaska (TCH),
'62 Worlds
- Tucked front
Keiko Ikeda (JPN), '62
Worlds
- Cartwheel,
full-twisting layout
Vera Caslavska (TCH),
'68 Olympics
- Cartwheel,
double-twisting layout
Nadia Comaneci (ROM),
'75 Europeans
- Tucked double
back
Elena
Mukhina & Natalia Shaposhnikova (URS),
'77 World Cup
- Piked double back
Maria Filatova (URS),
'77 World Cup
- Full-twisting
tucked double back
Albina Shishova & Tatiana Frolova (URS), '83 Worlds
- Triple twist
Iva Cervenkova (TCH),
'83 Worlds
ELEMENTS:
-
Cartwheel
Eva Bosakova (TCH), '56 Olympics
- Flick flack
Erika Zuchold (GDR),
'66 Worlds
- Front
handspring
Karin Janz & Erika Zuchold (GDR), Vera Caslavska (TCH),
'68 Olympics
- Tucked back salto
Olga Korbut (URS) and
Nancy Thies (USA), '72 Olympics
-
FF to swing down and straddle beam (Korbut)
Olga Korbut (URS), '72
Olympics
- Layout salto
Aurelia Dobre (ROM),
'74 Worlds
- Two consecutive
layout stepout saltos
Eugenia Golea (ROM),
'84 American Cup
- Tucked front
salto
Carola
Dombeck (GDR), '76 Olympics
-
Tucked side salto
Elena Davydova (URS),
'76 American Cup
- Side FF to
back hip circle under beam (Yurchenko loop)
Natalia Yurchenko
(URS), '79 Spartakiade
-
Full-twisting Korbut (Rulfova)
Jana Rulfova (TCH),
'81 Worlds
- Tucked back salto
with full twist (from RO)
Albina Shishova (URS),
'83 Worlds
- Tucked back salto
with full twist (from a stand)
Aleftina Priakhina
(URS), '86 Junior Europeans
-
Layout salto with full twist (from RO)
Olessia Dudnik (URS),
'89 American Cup
- Triple
pirouette (Okino)
Betty Okino (USA), '91 Worlds
Floor Exercise:
- Full-twisting back layout
Muriel Grossfeld
(USA), '60 Olympics
-
Double-twisting back layout
Zdenka Bujnackova
(TCH), Joan Moore (USA), & Ludmila
Turischeva (URS), '72
Olympics
- Full twisting front
layout
Margit Toth (HUN), '76 Olympics
- Tucked double back
Nadia Comaneci (ROM),
'76 American Cup
- Tucked
full-in
Elena Mukhina (URS), '78 Worlds
- Triple twisting back layout
Maxi Gnauck (GDR), '79
Worlds
- Full-twisting back
layout, punch front
Heidi Anderson (USA), '79 Moscow News
- Double layout
Diana Dudeva (BUL), '83
Worlds
- Double-twisting back
layout, punch front
Oksana Omelianchik (URS), '85 Europeans
- 1 3/4 piked side salto
Elena Shushunova
(URS), '85 Europeans
- Full-in,
full-out
Aleftina Priakhina (URS), '86 Junior Europeans
- Double front salto
Olga Strazheva (URS),
'86 Junior Europeans
- Double
back layout with full twist in 1st salto
Tatiana Tuzhikova
(URS), '87 Worlds
- Double
full-in, back out
Tatiana Groshkova (URS), '89 Chunichi Cup
- Double back layout with full twist in
2nd salto
Oksana Chusovitina (URS), '91 Worlds
- Double front salto with 1/2 twist in 2nd
salto
Lilia
Podkopayeva (UKR), '95 Worlds
------------------------------
End
of GYMN-L Digest - 4 May 1996 - Special issue
*************************************************